Aliens vs. Predator (2010)

Composed by

Recorded at

Session Photos (30 photos)

  • Graham Preskett conducts the Istropolis Philharmonic Orchestra
  • The Aliens vs Predator score
  • Composer, producer Mark Rutherford reviewing the score
  • Aliens vs Predator string recording session
  • Recording the strings for "Finis Omnium"
  • Istropolis Philhamonic, violin section
  • Aliens vs Predator score sheet
  • Composer, producer Mark Rutherford listening to the playback
  • The strings recording "March of the Hunted"
  • Composer, producer Mark Rutherford checking through the score
  • Some of the Aliens vs Predator basses
  • Recording the strings for "The Darkest Fear"
  • Adjusting the control room monitor level
  • Recording the strings for "The Darkest Fear"
  • Composer, Mark Rutherford (left) discussing the score with orchestral producer Sandy Mclelland (right) with score recordist Martin (front)
  • Studio 2 metering
  • Some of the Aliens vs Predator bass section
  • Orchestral producer Sandy Maclelland (front) instructing Score recordists Martin (left) and Jan (right)
  • Making some last minute additions to the score.
  • Score for what became "Full Tilt Rampage"
  • Score recordist Martin, setting up the Pro Tools session.
  • Composer, Mark Rutherford (left) discussing the very important matter of lunch options with orchestral producer Sandy Mclelland (right) and Score recordist Martin (front)
  • One of the microphones used in the recording of the Aliens vs Predator score
  • The orchestra reacts after the final take for "Finis Omnium"
  • Listening to instructions from the podium
  • Recording "Desecration (Emotional B)"
  • The brass section rest for a few minutes
  • One of the very talented cellists discussing the next take
  • The all important talkback button in action
  • Composer, producer Mark Rutherford watching & listening to the orchestra as they record the final cue.
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